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The emergence of AI-powered music-creation platforms such as Suno is expanding the possibilities for musical creativity, but it is also introducing significant copyright risks. While Suno says it does not allow the use of copyrighted material, the article describes vulnerabilities that can be used to generate imitations of well-known songs. These versions may not be identical to the originals, but they can be close enough to mislead listeners—particularly when they do not pay close attention. The tracks can then be uploaded to streaming platforms and monetized as legitimate music.
To create AI covers, users need to access Suno Studio, a tool that allows users to upload audio files for editing or recreation. In theory, the system detects and blocks copyrighted music. However, the article says users can bypass the filter by making very small changes, such as altering playback speed or adding white noise. After bypassing the system, users can reconstruct the track to resemble the original and use it as a base for generating a new version.
According to the article, older models often preserved the original song’s structure with only minor tonal changes. Newer models may produce more noticeable edits, but they still retain recognizable characteristics.
The article also points to gaps in Suno’s copyright-control mechanisms for lyrics. It says that while Suno has a mechanism to detect copyrighted lyrics, changing a few words or introducing minor typos can bypass detection. This can enable AI-generated singing in the voice of the original singer.
It further notes that independent artists may be under-protected by Suno’s system. In some cases, songs by less prominent artists can pass through the filter without modification.
The consequences described in the article extend beyond direct copying. AI covers can be redistributed through intermediaries, generating revenue without paying the original copyright holder. In an industry where musicians already receive low rates, the article argues this worsens unfairness toward smaller artists.
The article describes an “uncanny valley” effect, where AI-created covers can sound almost real but lack soul and emotion. It says key elements—such as phrasing, rhythm, and artistic choices—may be flattened or mechanically recreated. The result can be music that feels bland or shallow, sometimes losing the spirit of the original.
This raises a broader question about artistic value: whether such outputs should be considered creativity or instead sophisticated copying.
The article argues that the issue is not limited to Suno and that the wider digital music ecosystem faces an influx of low-quality AI content. It says both famous and independent artists have been impersonated with AI-generated music uploaded to streaming platforms. In some instances, AI-generated tracks have appeared on official artist pages, making it difficult for listeners to distinguish real from fake.
According to the article, this can affect reputations and reduce streams of official works. It notes that platforms such as Spotify and Deezer have deployed measures to detect and block infringing content, but full control is described as nearly impossible given rapid AI progress.
The article says current detection systems rely on algorithms combined with manual moderation. As AI improves, distinguishing originals from imitations becomes harder. It also describes enforcement as often reactive—frequently occurring after artist complaints—leading to cases being missed or delayed.
The article concludes that Suno is not the only factor, but it is presented as a principal example of gaps in how the music industry is responding to AI. While the technology offers significant creative potential, it also raises serious questions about copyright, ethics, and artistic value. The article says artists—especially independent ones—are most directly affected, and that without tighter controls, AI-generated content could erode the digital music ecosystem by making the boundary between creativity and copying increasingly unclear.
Source: The Verge.

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